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Integrated BIM tools, including Revit, AutoCAD, and Civil 3D
Professional CAD/CAM tools built on Inventor and AutoCAD
Apply locked alignment constraints to wall segments.
Type:
Tutorial
Length:
7 min.
Tutorial resources
These downloadable resources will be used to complete this tutorial:
Transcript
00:04
Our first objective is to align
00:07
the left hand face of the interior wall
00:11
to the left hand face of the exterior wall.
00:15
So if we now choose the align tool once again within the modifier panel,
00:19
top left of that panel and click on a line,
00:23
we can see on the options bar, we already have all faces enabled.
00:26
So that will suit us for what we want to do.
00:30
The first thing we're asked to do is select the reference.
00:33
Now the reference will be the face that will not move.
00:36
So if we click on here, we see this blue alignment line
00:40
which shows us that that's where we're going to move up to.
00:44
So the next thing we click will actually move into alignment.
00:48
So if we put our cursor onto the left hand face of the internal wall,
00:53
it moves into perfect alignment.
00:55
And we can see we have a padlock
00:58
which will invoke an alignment constraint
01:01
if we want it to. So it is optional. Whether we enable it or not,
01:06
we'll click on it
01:07
to lock it
01:09
and then choose the modify tool to exit the align tool.
01:15
What we'll now do is see what effect that alignment constraint,
01:20
that locked alignment constraint now has.
01:24
So if we were to drag this wall
01:27
to the right slightly,
01:29
we can see that that internal wall because it's locked in alignment
01:35
has moved with the external wall.
01:39
OK.
01:40
I'm just gonna undo that. So if I go up to the quick access tool bar and click undo
01:45
that will move it back into its original position,
01:49
we'll reload the align tool from the modifier panel. So if we click on a line,
01:54
but this time we will use two wall center lines.
01:59
So within the refer list on the options bar, we'll click on
02:03
what's already there and choose wall center lines.
02:07
This time, this upper wall here where my cursor is
02:11
will be the reference.
02:14
So if she,
02:15
if we zoom in slightly and click the center line,
02:19
that is now going to be the reference,
02:20
we can see that alignment line again there telling us that that is in fact a reference
02:25
and whatever we click next,
02:27
we will now be forced into alignment. So if we click on there,
02:31
we can see
02:32
that has now moved into alignment again, optionally, we don't have to select it.
02:37
We can lock those two walls into alignment.
02:40
So we'll do that
02:42
if we choose, modify,
02:45
select
02:46
one of these walls
02:49
and drag it, we can see
02:51
once again
02:53
they are forced to move together because of that locked alignment constraint.
02:58
I'm going to disable the constraints by clicking on the blue padlock.
03:04
And once again, we'll zoom out
03:09
and we'll use the align tool
03:12
in a very different way.
03:12
This time compared with the method that we've been adopting.
03:16
The method we've been using,
03:17
enables us to align and lock two elements into position.
03:22
But this next maneuver will allow us to do a multiple alignment.
03:27
So if I go up and click on a line again,
03:31
that will give us the opportunity to reconfigure the
03:35
way that a line works via the options bar.
03:38
And we will make sure that multiple alignment tick box is enabled
03:44
and that will allow us to align multiple things to a single reference.
03:50
Our single reference this time will be the center
03:53
of this right hand wall
03:56
and we can now choose each wall
04:01
individually
04:03
and they will all align
04:06
to that original first wall that we selected.
04:09
Again, you would have noticed that each time we clicked on the wall,
04:13
the wall to be moved. That is
04:16
we had the option
04:17
to apply a locked alignment constraint, which on this occasion, we didn't
04:22
once again, we'll exit the align tool by going up to the ribbon, a modifier tab
04:28
and choosing the modify command.
Video transcript
00:04
Our first objective is to align
00:07
the left hand face of the interior wall
00:11
to the left hand face of the exterior wall.
00:15
So if we now choose the align tool once again within the modifier panel,
00:19
top left of that panel and click on a line,
00:23
we can see on the options bar, we already have all faces enabled.
00:26
So that will suit us for what we want to do.
00:30
The first thing we're asked to do is select the reference.
00:33
Now the reference will be the face that will not move.
00:36
So if we click on here, we see this blue alignment line
00:40
which shows us that that's where we're going to move up to.
00:44
So the next thing we click will actually move into alignment.
00:48
So if we put our cursor onto the left hand face of the internal wall,
00:53
it moves into perfect alignment.
00:55
And we can see we have a padlock
00:58
which will invoke an alignment constraint
01:01
if we want it to. So it is optional. Whether we enable it or not,
01:06
we'll click on it
01:07
to lock it
01:09
and then choose the modify tool to exit the align tool.
01:15
What we'll now do is see what effect that alignment constraint,
01:20
that locked alignment constraint now has.
01:24
So if we were to drag this wall
01:27
to the right slightly,
01:29
we can see that that internal wall because it's locked in alignment
01:35
has moved with the external wall.
01:39
OK.
01:40
I'm just gonna undo that. So if I go up to the quick access tool bar and click undo
01:45
that will move it back into its original position,
01:49
we'll reload the align tool from the modifier panel. So if we click on a line,
01:54
but this time we will use two wall center lines.
01:59
So within the refer list on the options bar, we'll click on
02:03
what's already there and choose wall center lines.
02:07
This time, this upper wall here where my cursor is
02:11
will be the reference.
02:14
So if she,
02:15
if we zoom in slightly and click the center line,
02:19
that is now going to be the reference,
02:20
we can see that alignment line again there telling us that that is in fact a reference
02:25
and whatever we click next,
02:27
we will now be forced into alignment. So if we click on there,
02:31
we can see
02:32
that has now moved into alignment again, optionally, we don't have to select it.
02:37
We can lock those two walls into alignment.
02:40
So we'll do that
02:42
if we choose, modify,
02:45
select
02:46
one of these walls
02:49
and drag it, we can see
02:51
once again
02:53
they are forced to move together because of that locked alignment constraint.
02:58
I'm going to disable the constraints by clicking on the blue padlock.
03:04
And once again, we'll zoom out
03:09
and we'll use the align tool
03:12
in a very different way.
03:12
This time compared with the method that we've been adopting.
03:16
The method we've been using,
03:17
enables us to align and lock two elements into position.
03:22
But this next maneuver will allow us to do a multiple alignment.
03:27
So if I go up and click on a line again,
03:31
that will give us the opportunity to reconfigure the
03:35
way that a line works via the options bar.
03:38
And we will make sure that multiple alignment tick box is enabled
03:44
and that will allow us to align multiple things to a single reference.
03:50
Our single reference this time will be the center
03:53
of this right hand wall
03:56
and we can now choose each wall
04:01
individually
04:03
and they will all align
04:06
to that original first wall that we selected.
04:09
Again, you would have noticed that each time we clicked on the wall,
04:13
the wall to be moved. That is
04:16
we had the option
04:17
to apply a locked alignment constraint, which on this occasion, we didn't
04:22
once again, we'll exit the align tool by going up to the ribbon, a modifier tab
04:28
and choosing the modify command.
Use the Align tool to bring wall segments into alignment, and apply locked alignment constraints.
As each wall is selected, it aligns with the reference.
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